WELAB PROFESSIONAL EQUIPMENT. C/ Albasanz, 59. 28037 Madrid Telf: 911823355 - info@welabplus.com
CAMERAS VISUAL OVERVIEW
CAMERAS VISUAL OVERVIEW
LENSES VISUAL OVERVIEW
LENSES VISUAL OVERVIEW
SUMMICRON-C vs SUMMILUX-C
SUMMICRON-C vs SUMMILUX-C
SISTEMAS DE EXTENSIÓN SONY VENICE-RIALTO
SISTEMAS DE EXTENSIÓN SONY VENICE-RIALTO
LENTES ESFÉRICAS VS ANAMÓRFICAS
LENTES ESFÉRICAS VS ANAMÓRFICAS
DEFLECTORES DE LLUVIA
DEFLECTORES DE LLUVIA
MÉTODOS DE ESTABILIZACIÓN EN EL CINE
MÉTODOS DE ESTABILIZACIÓN EN EL CINE
ULTRA & MASTER PRIME vs SIGNATURE & ENSŌ PRIME
ULTRA & MASTER PRIME vs SIGNATURE & ENSŌ PRIME
THE MOST USED WELAB LENSES IN 2024 FICTION
THE MOST USED WELAB LENSES IN 2024 FICTION
THE MOST USED WELAB CAMERAS IN 2024 FICTION
THE MOST USED WELAB CAMERAS IN 2024 FICTION
ARRI LENSES PRODUCT LINE
ARRI LENSES PRODUCT LINE
ZEISS COMPACT ZOOM vs. SUPREME ZOOM RADIANCE
ZEISS COMPACT ZOOM vs. SUPREME ZOOM RADIANCE
65/70 mm LENSES PRODUCT LINE
65/70 mm LENSES PRODUCT LINE
PHANTOM FLEX 4K vs. EMBER S5K
PHANTOM FLEX 4K vs. EMBER S5K
ARRI SIGNATURE vs. ENSŌ
ARRI SIGNATURE vs. ENSŌ
COMPACT CINE MINI PRIMES
COMPACT CINE MINI PRIMES
EASYRIG
EASYRIG
CANON C70 vs. CANON C80
CANON C70 vs. CANON C80
HIGH SPEED DIGITAL CINEMA CAMERAS
HIGH SPEED DIGITAL CINEMA CAMERAS
ARRI TEXTURES
ARRI TEXTURES
SKIN DE LENTES BLACKWING7 DE TRIBE7
SKIN DE LENTES BLACKWING7 DE TRIBE7
CINE SADDLE
CINE SADDLE
ANAMORPHIC LENSES PRODUCT LINE
ANAMORPHIC LENSES PRODUCT LINE
CABEZAS FLUIDAS vs. MANIVELAS
CABEZAS FLUIDAS vs. MANIVELAS
PROAIM MITCHELL VIBRATION ISOLATOR
PROAIM MITCHELL VIBRATION ISOLATOR
COOKE LENSES PRODUCT LINE
COOKE LENSES PRODUCT LINE
CANON C300 MKII vs. C300 MKIII vs. C400
CANON C300 MKII vs. C300 MKIII vs. C400
DUCLOS EXTENSION TUBES
DUCLOS EXTENSION TUBES
CANON K35 vs FD
CANON K35 vs FD
FACTORES DE COMPRESIÓN EN LENTES ANAMÓRFICAS
FACTORES DE COMPRESIÓN EN LENTES ANAMÓRFICAS
SKATER MINI CINE MOVEMENTS
SKATER MINI CINE MOVEMENTS
TIPOS DE DIAFRAGMAS
TIPOS DE DIAFRAGMAS
NETFLIX APPROVED CAMERAS
NETFLIX APPROVED CAMERAS
VERTICAL CAMERA BRACKET WOODEN
VERTICAL CAMERA BRACKET WOODEN
OIC FF OPTICAL DIRECTORS’S VIEWFINDER
OIC FF OPTICAL DIRECTORS’S VIEWFINDER
TOKINA VISTA PRODUCT LINE
TOKINA VISTA PRODUCT LINE
RED V-RAPTOR LINE UP
RED V-RAPTOR LINE UP
INFOGRAFÍA CUÑA VARIABLE EGRIPMENT
INFOGRAFÍA CUÑA VARIABLE EGRIPMENT
THE MOST USED WELAB CAMERAS IN 2023 FICTION
THE MOST USED WELAB CAMERAS IN 2023 FICTION
THE MOST USED WELAB LENSES IN 2023 FICTION
THE MOST USED WELAB LENSES IN 2023 FICTION
INFOGRAFÍA TANGO II
INFOGRAFÍA TANGO II
LENTES PRIME vs ZOOM
LENTES PRIME vs ZOOM
COOKE SPEED PANCHRO LENSES PRODUCT LINE
COOKE SPEED PANCHRO LENSES PRODUCT LINE
INFOGRAFÍA SPRAYOFF RAIN DEFLECTOR
INFOGRAFÍA SPRAYOFF RAIN DEFLECTOR
K35 LOOK CINEMA LENSES LINE
K35 LOOK CINEMA LENSES LINE
BLACKMAGIC POCKET 4K VS 6K vs. 6K PRO vs. 6K FF
BLACKMAGIC POCKET 4K VS 6K vs. 6K PRO vs. 6K FF
INFOGRAFÍA OCU-1 DE ARRI
INFOGRAFÍA OCU-1 DE ARRI
SONY CINEMA LINE
SONY CINEMA LINE
LAOWA 24 mm PROBE vs. PERIPROBE vs. PRO2BE
LAOWA 24 mm PROBE vs. PERIPROBE vs. PRO2BE
INFOGRAFÍA PORTAFILTROS EELCON
INFOGRAFÍA PORTAFILTROS EELCON
ANGÉNIEUX EZ ZOOM PRODUCT LINE
ANGÉNIEUX EZ ZOOM PRODUCT LINE
SKATER SCOPE P+S TECHNIK
SKATER SCOPE P+S TECHNIK
ZEISS LENSES PRODUCT LINE
ZEISS LENSES PRODUCT LINE
VINTAGE LENSES REHOUSING PRODUCT LINE
VINTAGE LENSES REHOUSING PRODUCT LINE
INTEGRATED OPTICAL PALETTE ANGÉNIEUX
INTEGRATED OPTICAL PALETTE ANGÉNIEUX
RED KOMODO vs. KOMODO-X
RED KOMODO vs. KOMODO-X
FREELENSING CINE MOVEMENTS
FREELENSING CINE MOVEMENTS
RED KOMODO vs. RED V-RAPTOR vs. RED V-RAPTOR XL
RED KOMODO vs. RED V-RAPTOR vs. RED V-RAPTOR XL
CINEMA CAMERA HEAD
CINEMA CAMERA HEAD
TLS LENSES REHOUSING
TLS LENSES REHOUSING
THE MOST USED WELAB LENSES IN 2022 FICTION
THE MOST USED WELAB LENSES IN 2022 FICTION
THE MOST USED WELAB CAMERAS IN 2022 FICTION
THE MOST USED WELAB CAMERAS IN 2022 FICTION
ATLAS ORION vs. MERCURY
ATLAS ORION vs. MERCURY
VESPID PRIME vs. VESPID RETRO
VESPID PRIME vs. VESPID RETRO
COOKE ZOOM PRODUCT LINE
COOKE ZOOM PRODUCT LINE
ZEISS SUPER SPEED
ZEISS SUPER SPEED
RED V-RAPTOR vs. V-RAPTOR XL
RED V-RAPTOR vs. V-RAPTOR XL
CLASSIC AND MODERN REHOUSING COMPANIES WORLD MAP
CLASSIC AND MODERN REHOUSING COMPANIES WORLD MAP
POSSIBLE IOP ANGENIEUX OPTIMO PRIME COMBINATIONS
POSSIBLE IOP ANGENIEUX OPTIMO PRIME COMBINATIONS
CANON CINEMA LENS LINE
CANON CINEMA LENS LINE
FUJINON PREMISTA ZOOM
FUJINON PREMISTA ZOOM
ARRI ALEXA MINI vs. ALEXA MINI LF vs. ALEXA 35
ARRI ALEXA MINI vs. ALEXA MINI LF vs. ALEXA 35
ANGENIEUX OPTIMO EZ 1/2 vs. OPTIMO ULTRA COMPACT ZOOM
ANGENIEUX OPTIMO EZ 1/2 vs. OPTIMO ULTRA COMPACT ZOOM
SUPER 35 ZOOM FOCAL LENGTH
SUPER 35 ZOOM FOCAL LENGTH
THE MOST USED WELAB LENSES IN 2021 FICTION
THE MOST USED WELAB LENSES IN 2021 FICTION
THE MOST USED WELAB CAMERAS IN 2021 FICTION
THE MOST USED WELAB CAMERAS IN 2021 FICTION
VISORES DE DIRECTOR
VISORES DE DIRECTOR
SONY VENICE vs. 2 6K vs. 2 8K
SONY VENICE vs. 2 6K vs. 2 8K
LENTES DEL CINE EN EL MUNDO
LENTES DEL CINE EN EL MUNDO
COMPARATIVA AQUATIC COVER
COMPARATIVA AQUATIC COVER
FULLFRAME ZOOM FOCAL LENGTH
FULLFRAME ZOOM FOCAL LENGTH
MASTER ANAMORPHIC FLARE SET
MASTER ANAMORPHIC FLARE SET
COMPARATIVA GOPRO HERO
COMPARATIVA GOPRO HERO
MANDOS ARRI Hi-5 vs. WCU-4
MANDOS ARRI Hi-5 vs. WCU-4
RED KOMODO vs. V-RAPTOR
RED KOMODO vs. V-RAPTOR
SIGMA CINE PRIME vs. CLASSIC PRIME
SIGMA CINE PRIME vs. CLASSIC PRIME
ANGENIEUX OPTIMO ULTRA 12X FF/VV vs. S35 vs. U35
ANGENIEUX OPTIMO ULTRA 12X FF/VV vs. S35 vs. U35
ARRI SIGNATURE ZOOM
ARRI SIGNATURE ZOOM
POLARIZED FILTERS COMPARISON
POLARIZED FILTERS COMPARISON
TABLA COMPATIBILIDAD TERADEK
TABLA COMPATIBILIDAD TERADEK
PHANTOM FLEX 4K vs. PHANTOM 2.5K
PHANTOM FLEX 4K vs. PHANTOM 2.5K
FRONT OUTER DIAMETER OF CINEMA LENSES
FRONT OUTER DIAMETER OF CINEMA LENSES
EASYRIGS
EASYRIGS
ZEISS SUPREME vs. SUPREME RADIANCE
ZEISS SUPREME vs. SUPREME RADIANCE
FULLFRAME CINEMA LENS
FULLFRAME CINEMA LENS
TYPES OF PL MOUNTS ARRI
TYPES OF PL MOUNTS ARRI
DIFFUSION FILTER
DIFFUSION FILTER
LARGE FORMAT CINEMA CAMERAS
LARGE FORMAT CINEMA CAMERAS
CANON ZOOM TRINITY EF VERSUS RF
CANON ZOOM TRINITY EF VERSUS RF

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