WELAB PROFESSIONAL EQUIPMENT. C/ Albasanz, 59. 28037 Madrid Telf: 911823355 - info@welab.es
CAMERAS VISUAL OVERVIEW
CAMERAS VISUAL OVERVIEW
LENSES VISUAL OVERVIEW
LENSES VISUAL OVERVIEW
COOKE LENSES PRODUCT LINE
COOKE LENSES PRODUCT LINE
ANGÉNIEUX EZ ZOOM PRODUCT LINE
ANGÉNIEUX EZ ZOOM PRODUCT LINE
SKATER SCOPE P+S TECHNIK
SKATER SCOPE P+S TECHNIK
SKATER MINI CINE MOVEMENTS
SKATER MINI CINE MOVEMENTS
ZEISS LENSES PRODUCT LINE
ZEISS LENSES PRODUCT LINE
VINTAGE LENSES REHOUSING PRODUCT LINE
VINTAGE LENSES REHOUSING PRODUCT LINE
INTEGRATED OPTICAL PALETTE ANGÉNIEUX
INTEGRATED OPTICAL PALETTE ANGÉNIEUX
RED KOMODO vs KOMODO-X
RED KOMODO vs KOMODO-X
HIGH SPEED DIGITAL CINEMA CAMERAS
HIGH SPEED DIGITAL CINEMA CAMERAS
OIC FF OPTICAL DIRECTORS’S VIEWFINDER
OIC FF OPTICAL DIRECTORS’S VIEWFINDER
FREELENSING CINE MOVEMENTS
FREELENSING CINE MOVEMENTS
RED KOMODO vs RED V-RAPTOR vs RED V-RAPTOR XL
RED KOMODO vs RED V-RAPTOR vs RED V-RAPTOR XL
CINEMA CAMERA HEAD
CINEMA CAMERA HEAD
TLS LENSES REHOUSING
TLS LENSES REHOUSING
THE MOST USED WELAB LENSES IN 2022 FICTION
THE MOST USED WELAB LENSES IN 2022 FICTION
THE MOST USED WELAB CAMERAS IN 2022 FICTION
THE MOST USED WELAB CAMERAS IN 2022 FICTION
ATLAS ORION vs. MERCURY
ATLAS ORION vs. MERCURY
VESPID PRIME vs. VESPID RETRO
VESPID PRIME vs. VESPID RETRO
COOKE ZOOM PRODUCT LINE
COOKE ZOOM PRODUCT LINE
ZEISS SUPER SPEED
ZEISS SUPER SPEED
RED V-RAPTOR vs. V-RAPTOR XL
RED V-RAPTOR vs. V-RAPTOR XL
LAOWA 24 mm PROBE vs. PERIPROBE
LAOWA 24 mm PROBE vs. PERIPROBE
CLASSIC AND MODERN REHOUSING COMPANIES WORLD MAP
CLASSIC AND MODERN REHOUSING COMPANIES WORLD MAP
POSSIBLE IOP ANGENIEUX OPTIMO PRIME COMBINATIONS
POSSIBLE IOP ANGENIEUX OPTIMO PRIME COMBINATIONS
CANON CINEMA LENS LINE
CANON CINEMA LENS LINE
FUJINON PREMISTA ZOOM
FUJINON PREMISTA ZOOM
ARRI ALEXA MINI vs. ALEXA MINI LF vs. ALEXA 35
ARRI ALEXA MINI vs. ALEXA MINI LF vs. ALEXA 35
ANGENIEUX OPTIMO EZ 1/2 vs. OPTIMO ULTRA COMPACT ZOOM
ANGENIEUX OPTIMO EZ 1/2 vs. OPTIMO ULTRA COMPACT ZOOM
SUPER 35 ZOOM FOCAL LENGTH
SUPER 35 ZOOM FOCAL LENGTH
THE MOST USED WELAB LENSES IN 2021 FICTION
THE MOST USED WELAB LENSES IN 2021 FICTION
THE MOST USED WELAB CAMERAS IN 2021 FICTION
THE MOST USED WELAB CAMERAS IN 2021 FICTION
ANAMORPHIC LENSES PRODUCT LINE
ANAMORPHIC LENSES PRODUCT LINE
VISORES DE DIRECTOR
VISORES DE DIRECTOR
SONY VENICE vs. 2 6K vs. 2 8K
SONY VENICE vs. 2 6K vs. 2 8K
LENTES DEL CINE EN EL MUNDO
LENTES DEL CINE EN EL MUNDO
COMPARATIVA AQUATIC COVER
COMPARATIVA AQUATIC COVER
FULLFRAME ZOOM FOCAL LENGTH
FULLFRAME ZOOM FOCAL LENGTH
MASTER ANAMORPHIC FLARE SET
MASTER ANAMORPHIC FLARE SET
COMPARATIVA GOPRO HERO
COMPARATIVA GOPRO HERO
MANDOS ARRI Hi-5 vs. WCU-4
MANDOS ARRI Hi-5 vs. WCU-4
RED KOMODO vs. V-RAPTOR
RED KOMODO vs. V-RAPTOR
SIGMA CINE PRIME vs. CLASSIC PRIME
SIGMA CINE PRIME vs. CLASSIC PRIME
NETFLIX APPROVED CAMERAS
NETFLIX APPROVED CAMERAS
ANGENIEUX OPTIMO ULTRA 12X FF/VV vs. S35 vs. U35
ANGENIEUX OPTIMO ULTRA 12X FF/VV vs. S35 vs. U35
CANON C300 Mark II vs. C300 Mark III
CANON C300 Mark II vs. C300 Mark III
ARRI SIGNATURE ZOOM
ARRI SIGNATURE ZOOM
POLARIZED FILTERS COMPARISON
POLARIZED FILTERS COMPARISON
TABLA COMPATIBILIDAD TERADEK
TABLA COMPATIBILIDAD TERADEK
PHANTOM FLEX 4K vs. PHANTOM 2.5K
PHANTOM FLEX 4K vs. PHANTOM 2.5K
FRONT OUTER DIAMETER OF CINEMA LENSES
FRONT OUTER DIAMETER OF CINEMA LENSES
EASYRIGS
EASYRIGS
ZEISS SUPREME vs. SUPREME RADIANCE
ZEISS SUPREME vs. SUPREME RADIANCE
FULLFRAME CINEMA LENS
FULLFRAME CINEMA LENS
TYPES OF PL MOUNTS ARRI
TYPES OF PL MOUNTS ARRI
CINEMA LINE SONY
CINEMA LINE SONY
DIFFUSION FILTER
DIFFUSION FILTER
LARGE FORMAT CINEMA CAMERAS
LARGE FORMAT CINEMA CAMERAS
CANON ZOOM TRINITY EF VERSUS RF
CANON ZOOM TRINITY EF VERSUS RF
BLACKMAGIC POCKET 4K VS 6K VS 6K PRO
BLACKMAGIC POCKET 4K VS 6K VS 6K PRO

HORARIO COMERCIAL
(L/V 9:00 A 18:00 h.)

91 182 33 55

URGENCIAS
FUERA DEL HORARIO
COMERCIAL

687 573 658

Si no obtienes respuesta inmediata, deja un mensaje de texto, una nota de voz o un WhatsApp indicando nombre y urgencia y enseguida nos pondremos en contacto contigo.

Atención al Cliente Welab